Information :: We Welcome Everyone Equally!

We want to make something perfectly clear: at Poppy & Sage Photography, we welcome all people. From all countries. From all backgrounds. From all heritages. Our ideal client(s) comes from any one of 195 countries. Racism has no place in our business model (or life, for that matter).

We welcome everyone equally. No prejudice. No judgement.

We have updated our FAQ page with this section:

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Do you welcome cultural weddings?

Yes! We absolutely do. As stated in our “About” section, we believe that all people are equal. And equally beautiful. We are all about inclusivity, diversity, and meaningful recognition of intersectionality. The world can do with less judgement, right down to microaggressions, and more advocacy. Furthermore, we enjoy travel, especially to off-the-beaten track locations. One thing we have learned from our travels so far is that we can all learn from each other. We would love to hear your unique story, and it would be our privilege to capture it!

Just to be clear: Everyone is welcome at Poppy & Sage Photography.

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Feel free to contact us here:

Information :: Wedding Ring Shot Inspiration

We recently stumbled upon a polarising discussion between photographers. The key question was this: should you, as the photographer, provide props for detail shots (such as ring boxes, ribbons, trays, stamps and so on) or is it something that the client should take the lead on? There were two camps:

One side, against photographers providing props, questioned if it could it be perceived to be intrusive in a way? Could the photographer potentially incorporate elements that are not sentimental to the couple? The photographers in this camp were arguing that photographers should use creative elements either supplied by the couple (keepsakes) or things that could be found at their wedding venue(s), such as a plant, for example. That each client’s images should not have stock standard elements that come from recycled kit. Furthermore, all the images should be cohesive (documented and authentic rather than fabricated).

However, the other side of the debate, pro photographer provision of props, suggested that the extra preparation (and investment) could demonstrate attention to detail by the photographer. Could it be categorised as going above and beyond? Thoughtful even? The photographers in this camp wanted their clients to feel looked after and with nothing left to chance. To guarantee ‘pretty’ images for their clients. To have some control over the quality of the styling. Furthermore, in some cases, styling was an essential part of the photographer’s brand and a unique selling point (especially those with a background in food or product photography, for example).

Each photographer has their own aesthetic and, like a lot of things in life, there is absolutely no right or wrong here. Furthermore, we would hope that most people could agree that there are waaaaaaaaaaay bigger issues in life. When all is said and done, it is up to the client to decide how they want their day documented - whether that is a style that incorporates a photographer’s individual styling kit or is more organic & bespoke. Personally, we love true to life, and we love a good creative challenge. Ultimately, we want the images to showcase you as a couple and incorporate your style and story - whatever that is.

We looked through some of our recent shoots for ring shots, in particular. (The discussion referenced above heavily featured ring boxes as there has been a definite trend for Mrs Box ring boxes or equivalent, so rings were fresh on our mind at the time of writing.) We found the diversity in our shots interesting. We have done some of these shoots alongside a stylist or two with impeccable taste (sometimes we are spoiled rotten!). We are proud of those images. We can appreciate a stunning piece of heirloom jewellery, and we love to showcase it without distraction. However, we also found it interesting how much we like seeing ring shots ‘in the wild’, too. There is a sense of adventure to these. Relatability perhaps. A feeling that the ring is more than jewellery now and is an important part of the person wearing it. See what you think and feel free to discuss even the smallest details with us- as we say around here, “If it is important to you, it is important to us”. We welcome all ideas - including those that are outside of the box, so to speak. Here are 100+ of our favourites:

Update: this image placed in the Top 20% of its category in the 2019 Shoot & Share Photo Contest. It placed at 3585/18829 submissions.

Finally, one with a difference: the devoted aunt-of-the-bride inspecting the rings for the first time. <3

Information :: Why We Provide a Second Shooter

We introduced ourselves here. We shared a little about our personalities here. We included a list of 10 random things about us here. Today we want to share 10 reasons for why we provide two shooters on your wedding day. It has been well-documented that many couples regret not spending more on photography (base assumption being that greater value would equate to higher quality). While the appropriate compensation for photography services is subjective and dependent on key factors such as experience & expertise, there is one thing for sure at Poppy & Sage Photography: we want to go above and beyond to ensure that you love your images. We want to exceed your expectation for quality. One way we strive to meet this goal is through the provision of two shooters. Why exactly? Well, here are 10 reasons:

  1. One of us is responsible for the shot list provided by the client & meeting standard composition requirements; the other typically focuses on candid photography & creative composition (everything comes back to our questionnaire, though, and the priorities that you have detailed!)

  2. Second set of eyes = different perspective (for example, height differences; there is a foot between us!)

  3. Bride & groom are at 2 different locations? No problemo! (In the event of one photographer, it would be necessary to stack getting ready sessions = adding extra time to the day)

  4. Ability to split up timeline so one can focus on the bridal party, for example, and the other on the couple portraits (especially useful when timelines can run behind on the day or we need to meet specific criteria, such as couple portraits at golden hour)

  5. Technology can fail; nice to have built-in back-up with a second shooter as part of risk management

  6. Bigger wedding (100+) with a lot going on (getting ready, a first look, details, family portraits, and so on)? We’ve got it!

  7. Larger venue where you can’t possibly run back and forth to see from both side (or if you did, it would be pretty distracting)

  8. One can focus on the couple and the other on guest reactions (while walking down the aisle, for example)

  9. Two photographers typically shoot with different settings, such as aperture - this can make a huge difference to the overall feel of the image

  10. We have different strengths and interests - this is represented in our individual work and complementary perspectives

  11. We enjoy working together… oh, wait - that’s 11! We’ll stop. ;)

Information :: Ten Things About Us

A little while ago, we shared a few things about each of us on Instagram:

Pete:
1) is half-Czech
2) moved 8 times during childhood
3) has visited 3 continents to date - 4 to go

Em:
1) played competition tennis for approx. 7 years
2) has rural roots (small town of Chinchilla, Queensland)
3) was in a tambourine ensemble... don't ask haha


It was a fun exercise (for something different). We figured that we would continue the theme a little with 5 things for each of us:

Pete:

  • Is yet to find chilli so hot that he can’t eat it

  • Will talk about the behaviour of light when you ask for best-lighting-on-the-day advice (geek alert) but will come up with Dad jokes as prompts for posing (talk about hitting the jackpot) :D

  • Has been on 64 flights to date

  • Has held a baby crocodile

  • Makes the absolute best prosciutto and rucola pizza (and vanilla slice, while we are at it)

Em:

  • Misses the Nokia 3310; those were the simpler days

  • Has waved to the Queen

  • Mapped out Parisian adventures around sweet tooth: self-dubbed “Tour de boulangerie”

  • Bumped into Steve Irwin at Australia Zoo (he was carrying Bindi - a baby - in a duffle bag)

  • Is scared of heights but has also been skydiving (along with Pete)

From a recent wedding (image by Pete from Poppy & Sage Photography)

The Elephant in the Room :: Raw Files

"I just want access to the images from the most important day in my life! I enjoy playing around with Photoshop and Lightroom. I don't understand why it is too much to ask for the raw files. Furthermore, what if there is an image that the photographer doesn’t care for but is important to me or us?"

This is a question that pops up from time to time. It is a really good question, too! At Poppy & Sage Photography, we do not provide raw files as part of our delivery. Here is our why:

  • This is in line with the stated terms and conditions in our contract. It is our business policy. We only ever show our best work.

  • Delivering a complete product is important to us. It is our job; it is what you, as the client, are paying us to do. The preparation (meeting, emailing & planning) is key. The shooting (time, experience & equipment) is key. The culling is key. The colour correction is key. In particular, our editing style is essential to our brand. Every aspect of the process is just as crucial to the final product as each other.

  • Both the underlying raw files and the subsequent finalised images we provide to you all have our creative fingerprint on them; be it prior planning and storyboarding, our professional input to composition on the day, or a number of other aspects to our craft. In the same way one would not allow a stranger to work on an artist’s marble carving at any stage of their process, we do not provide our raw files as part of our business model.

  • We totally understand the concern that we might not choose an image that means the world to you. We take a ton of images on any given wedding day. Of that ton, a good amount can be accounted for in multiples, typically with only nanoseconds between them. This is especially pertinent because we shoot together; we collate all files and choose the best. Some of the images are visual exposure tests. If we followed anyone around for a day (or someone followed us), we can absolutely guarantee unflattering images - blinking, awkward moments, and so on. We strive to give you beautiful & memorable images from your day that you will hopefully love so much that you will go and tell your family & friends. We value quality over quantity. We also work from a questionnaire that lists shots important to you. There is no way we would withhold an image that is suitable and, in particular, is from your shot list. Finally, we deliver an industry standard of 50-75 images per hour of shooting.

However, if you have any questions or would like to clarify anything, we are just a message away. Feel free to contact us anytime.